Friday, December 31, 2010
This deserves a place in top 5 of my favorite westerns. Gary Copper though looks old carries his rôle with so much ease. Having said that, its not a very easy rôle to act. I am not going to divulge into the story but this is a story of a real hero who perspires like a normal man when pushed off the limits. He gets angry, he is helpless and hopeless and he is brave. There were great performances in this flick along with Gary but this film stands as a classic because if two reasons. One the cinematography. The long fluid shots and some of the shots are really innovative considering the time. Last but not the least, the background score. This has one of the favorite score " Do not foresake me oh my darling" only after Lux Antenna of Requiem for a dream. This particular flick shows how a movie should be made without any unwanted characters or wasting time on useless scenes. This is a true classic.
Saturday, November 6, 2010
Saturday, October 23, 2010
I came across this blog and it seems to have a lot of useful stuff not only for men but for everyone. Great work by Brett. And since this is a movie blog, I am going to watch the top movies from them. I have already watched some in the list and will try to complete the list soon. Already imdb 250 is a long pending list to complete. Currently i stand at 156 out of 250. So let me write some crap about the wonderful flicks which I am going to watch soon.
Tuesday, October 5, 2010
Sunday, October 3, 2010
Saturday, September 11, 2010
Sunday, September 5, 2010
Well, the year is 2027 and humans are no longer able to procreate. And the last young human who was 18 odd years was murdered. In midst of all these, a lady gets pregnant and a group wants to transport the lady to a research group. Now that's a setting which i would like to see in a science fiction story. Not like some weird blue tall creatures walking around speaking in robotic voices. Last year's District 9 was interesting but this beats it by a mile! An real offbeat flick to savor. Great background score, sophisticated yet bizarre art work to show its 2027 and last but not the least, splendid cinematography. There is a war sequence towards the end which looks like an Herculan task those camera man performed with knack. I think its a long , free flowing single shot. I guess its nearly 15 minutes or more. Having said all these, on its bare bones it has a beautiful story which the director nailed it with style.
El laberinto del fauno (Pan's Labyrinth) -2006A beautiful story of a young girl who gets obsessed with her own fantasy world told in a poignant manner. The scene is set in Spain during the second world war and Ofelia comes with her mother from far away to stay with her stepfather who is the ruthless fascist captain there. Her mom is pregnant and Ofelia gets lost in her fairy world. She meets a fawn one day and she is supposed to complete three tasks so that she can go back to her own world. On the other hand, Ofelia's mother gets sick, the captain's cruelty kills more and more people, the rebels want to get hold of the place. The resultant is the beautiful flick.
Great piece of editing there. Its a treat to watch how the director slowly but perfectly handles both the worlds with ease. Ofelia as the little girl is picture perfect and acts naturally with ease. Not like the stupid fantasy flicks which Hollywood churns out every now and then. Performance wise everybody shines specially the captain and the maid, Mercedes. The story is novel and kept me glued all the time. Its a cult classic in fantasy flicks to say the least.
Saturday, August 21, 2010
Susinderan's debut movie "Vennila Kabadi Kulu" was different and interesting. Next comes "Naan Magan Alla" now, which is again a interesting take on youngsters who take a different stride and their potential outcomes. On a whole the movie is very decent and can be enjoyed a lot.
The first ten minutes of the movie reveals that this is not our usual flick. A group of college going guys show their intoreable violence to a girl and a boy and the title card scrolls up. And my mind said I am going to witness something new and interesting. And what i saw is some clichéd scenes in the first half and the rest is just plain awesome.
Jeeva(Karthi), a cool guy who takes life the way it is meets Priya (Kajal Agarwal), a confused girl and as by the golden rôle in Tamil cinema - they fall in love. The scenes which involves the love and how they talk is made interesting with full of humor. The entire VKK team is here and Karthi pulls it nicely. The story progress as Priya's dad is unlikely about her marriage with Karthi. Karthi takes up his new work , then he quits and things go normally. Meanwhile the police finds different parts of a boy and a girl thrown in different places, On the other hand, the four ultra violent guys try to murder Karthi's father. However he escapes somehow. Why they tried to kill him? What they were upto? To what extent will they go to kill him? Will they really succeed in what they trying to conceal? Susindran answers in style with a racy screenplay and with fine characters moving around without any major logical flaws.
First half is more on the lighter side. There are lot of interesting scenes and a few clichéd scenes here and there. The first song though nice to hear is unnecessary. Second half goes on a perfectly opposite direction and the movie is more serious than expected. Kudos to the director to give a thriller like that. I thoroughly enjoyed watching the second half. So did the others.
Yuvan is brilliant in this flick. It will be a sin if I don't mention the BGM for this flick. Some hard work has really paid for him. It simply takes the movie to the another level.
Iragai Pole is soothing to hear. Mathi's choice of colors and few shots are exceptional. Particularly, the secluded places in the start and end of the flick was shown with the expected vagueness. Take a bow sir.
Karthi is cool and becomes a real baddy when its needed. He is far better here than in Paiya. Thank god, he didn't dance much :) Kajal Agarwal is cute and that's it about her. The real hero is the director and the best characters are not the main cast but those college guys and the one who helps them. You should see in what all possible directions the movie goes. Man, this is brilliant piece of work. On the flip side, the ultra violence has to be cut down as I saw some audience leaving the theater during those scenes. Climax is little disappointing to me.
On a whole a decent movie with loads of laugh in the first half and loads of surprises in the later. Go for it and you won't regret yoour choice :)
Finally a nice movie to watch with your friends.
Sunday, August 15, 2010
I am not a big fan of romantic comedies. Still this movie is very close to my heart. It makes you feel good and when ends it slaps on our face. I am sure, each one of us can relate to this story and the feelings the protagonist undergoes is a honest portrayal of each and everyone who got dumped by one or the other.
Tom works in a company where his job is to write quotes for the greeting cards on different themes. He studied architecture and out of no choice he started working in the greeting card company. One fine day, Summer joins Tom's office as manager's PA and the sweet love story begins. The story is told in a nice non chronological order which makes us guessing what happened to her. The dialogues are awesome throughout the flick. For instance,in one scene , when Tom's friend says Tom that he is stalking Summer. Summer will be inside the room. When she comes out Tom asks did she hear anything. She says nothing, and she gotta go since she is stalking i mean starving. Like this the film is filled with scenes which will make you smile.
The editing is perfect and the director uses split screens to show what Tom thinks and whats the reality in one scene and that's just perfect. The film is full of OSTs. Some or the other songs is being played in the background if not, somebody holds the mic and they start singing. Nothing bad, those are the cool moments and certainly the OSTs feel so good like very few romantic flicks. Somehow "Notting Hill" comes to my mind.
And coming to the performances, Levitt and Deschanel did their rôle perfectly and their onscreen chemistry is one of the best which I have seen of late. And the sister of Tom. Oh my! Man mark my word, she is going to chew everybody in the next 10 years. Her rôle in "KIck Ass" was phenomenal and even here too. The good part is she knows how to act.
Having said all these, the true beauty of the movie lay nowhere in the things mentioned above. It lay in the relationship between the two and how beautifully its shown and the hard hitting climax. This is one of the movies which will touch every human's heart someway or the other. Period.
Nothing new here. Yet, the interesting characters make the difference. Aarya as the brawny youth and Amy as the beautiful english lady who visits Madras. As expected, she falls for Aarya on seeing his braveness. Language indeed comes as a barrier between them and the way they tackle it is shown just like a poem. Amy not only looks beautiful but acts very naturally given the scope. There are laughs here and there and nice action sequences when needed. The songs are pretty good though one during the second half halts the pace of the flick. The day of independence was shot beautifully and it's a treat to watch. There are a couple of supporting characters and each played their rôle effectively.
Many complain the movie is like Titanic. May be. The way adopted to tell a story seems like Titanic, but the script is original. The complaint I have about this movie is the exaggerated climax and a comparatively snail paced second half. Forget these flaws and you have a real good flick before you.
Madraspattinam - May be a old story but it glitters.
Thursday, July 22, 2010
I guess everybody would have written about this flick by now. What can i say new about this? As like everybody, I am no exception. I was drawn by the charm which Nolan created once again.
Christopher Nolan with his own story after his debut "Following", shows the world why he is smarter than others.When James Cameroon spent 10 years in creating a technical marvel, Nolan beleived his brain. He too created a marvel, may be not in the technical side, but with his true script.
Inception is a spiritual journey where Nolan is the god and we are the disciples. One thing where Nolan scores more than any other director of our time is the way he narrates the story. We don't have enough time to think.You need a second viewing for sure, to truly appreciate the nuances he has put in the flick.
As somebody rightly said, Inception is not immune to spoilers. You can't tell the story without revelaing the story. In a nut shell, its a story about planting an idea in one's mind through his dreams. Having said, its not so easy. The design they create , the perfect execution, the haunting background score, the slick editing, amazing camera work and last but not the least the fiendishly clever script makes it a master piece.
If Matrix is the best sci fi film made in the last decade, then Inception is the one for next few decades. On a whole, Nolan's movies may seem like a movie with lot of technical finesse and some great twists which qualify for a decent thriller. However all his movies, on its bare bones have an emotional underlying story why his protagonist wants to do that. And that justification, makes him a genius. Take a bow Sir.
As an ending note, please stop reading the spoilers. Its no bad if you missed something. I watched twice still i have a book of unanswered questions. I will watch it again. If you are reading the spoilers, you are not thinking smart enough. In the era of just teen comedy, meaningless sequels and millions of dollars spent on blowing up buildings, Inception wins hands down as a summer blockbuster and a perfect movie to test your acumen. To sum up, Inception - Mind-bending Visual Spectacle.
Friday, July 9, 2010
Friday, June 18, 2010
Okay the big movie of Tamil Cinema. It delivered or not? Tough Question. I would say mostly yes and in some aspects- No. Why? Read on
First shot opens as Vikram standing in a hillock bare-chested and sun rises behind him. We see a brawny fellow standing upright before us. Cut. A village festival was going on. Immediate cut. We see Vikram standing in a hillock again. The camera goes behind him and from above his head we see a long shot of a river running down silently. He flips a stone into the river and dives deep into the river. Another Cut. And yes, Mani has set the mood for the film.
Story: After the intro, we see a group involving Prabhu, brother of vikram attacking a group of police and vikram kidnaps Aishwarya, wife of inspector Prithvi Raj on the other hand. And yes, the hide and seek story unfolds in ten minutes into the flick. Prithviraj starts his hunt of Veera and comes to know that Veera is rugged yet having good reputation among the local tribes and finds hunting him down will be a Herculean task. Aishwarya on the other hand doesn’t want to get killed by Vikram, jumps into the river and Vikram saves her followed by his mood swings. Did Prithviraj capture Veera? Why did Vikram take hostage of Aishwarya? Why Vikram couldn’t kill Aishwarya at the first instance itself? Who wins the battle? Mani solves all this in a slow first half and a somewhat interesting second half.
Having said this, its not a strong story. The flashback was not strong enough to sustain why Vikram wants to kill Prithviraj. There were loopholes in logic at times, but performance makes us to forget. Though Priyanamani delivers it was more like seeing her in second instalment of Paruthiveeran. I could hear all the comments pertaining to that in the theatre. Prabhu and Karthick shines with their witty dialogues. Ranjitha is a surprise in the flick and shouts about Nithyananda is not though. :)
Ok, the million dollar question. How was Vikram as Veera? Well, you know what am going to say. It’s very hard to say anyday that Vikram didn’t deliver. And the stalwart is once again the backbone of his flick. You take Vikram out of the role, I could only see Aishwarya’s performance coming next to him. When he is in the screen, he chews everybody else in the scene and ya, that’s expected. Be it romance or fury he delivers with such a zeal. He is a gem when it comes to acting. Prithviraj looks good and does his role perfectly as expected.
How about Technical ascepts? Ya baby , we have the best of the breed here. If wizard ARR is one pillar of the flick and another one would be Santhosh Sivan. Music and Cinematography are sublime. Montage, long shots, wide ones, low angle ones?- you name it, Santhosh captures beautifully with his camera and the lush green we see just adds more charm. Under estimating Srrekar Prasad’s editing would be a sin. Having said that, he would have edited more during the first half which is the real pain point of the flick. Peter heyen is a surpise though. Mostly known for gravity defying stunts, here we would see some real action here.The blasts and the fight before the climax which happens in a bridge above 3000 feet above the sea level is one treat to watch and savor. Though reminded me of the first fight between Surya and Madhavan in” Ayutha Eluthu”, the location changes my perception.
I don’t how many can attempt those kind of fights in their movie. You can count hardly. CG looks childish at times, and sometimes you never know it. Music Usure Poguthe and Kodu Potta are nicely shot. All praise to Karthick and ARR.I personally didn’t like Kalvare and Kattu siriki much. Kattu siriki was in a wierd voice over. The background score adds up to the eerie effect of the woods and indeed haunting mostly.
The climax was brilliant. Though one can predict the ending, the way the characters were woven toward the end and how perspective of one change toward other is shown as a class act. And you have a splendid performance from Vikram on the other end. One of the best scenes where you can see the full potential of vikram is when he explains what happened in the hanging bridge to Aishwarya- Man i don’t think anybody in Tamil cinema can do it at present. So many expressions he shows without a hint of over acting. Indeed an explosive performance. Period.
Verdict: Mani wins as a good commander here. Technical brilliance is seen throughout the film. And an explosive performance from Vikram makes it a must watch. On the down side, don’t expect logic (only at times) and a great story to back Veera’s deeds and vengeance. Weak story and nothing interesting happening in the screen which leaves the flick without any soul
Verdict – 3/5 (just Okay)
Saturday, April 17, 2010
The director of Juno comes with another exhilarating and touching message with "Up in the air". I wish more and more flicks of this kind to be made in the coming days to make watching movies a pleasant and pleasing experience.
Just heard some tracks of MJ and just known a very little about him, I started
Wednesday, April 14, 2010
Friday, April 2, 2010
Story: Without any interest in anything Karthick leads a life where his friends try to fit him into a job. On the day of interview, he sees Tamanna and fall in love with her. (Love at first sight season, I believe). Needless to say, he misses the interview and his friends start scolding him. One fine morning he goes to railway station to pick one of his friend in the car. He sees Tamanna and a person asking him to drop them on Chennai. And the story begins. He goes ahead and Lingusaami looses the knot one by one which makes interesting. A group to get Tamanna follows them and another group to finish Karthi follows them at the same time. At one point of the movie, both the group joins together and why they follow, watch it in the screen if you really want to see the flick after reading the next few passages.
Karthi and Tamanna gives a youthful feel to the movie and alas it didn't continue for a long. Karthi impresses with his performance while Tamanna is still in her kinder garden when it comes to acting! Karthi, has to grow up a lot in dance, though he tried a lot, his brawny looks make it sound awkward at times. Miland Soman though looks stylish has nothing to offer as an actor. Wasted completely.
Songs are very well penned and soothing to here. When you need a peppy number the movie offers it. However not with some intelligence, but for offering sake you are provided with a song. All the songs stand out of place with the movie. And it feels childish, whenever Karthi starts singing with lot of expressions. I don't know how long this saga of singing songs will continue.
Yuvan's BGM sounds good when there is a love sequence but damages your ears when somebody is fighting.
Mathi's cinematography feels good and gels with the movie. But too many closeup shots of almost everyone is painful to see at times except Tamanna's! Even am a guy :)Anthony fits the bill in editing.Action- Kannal Kannan sir, If you think if someone is hit with a metal rod for umpteen times and still he can fight, teach me that magic ! I wanna really beat some baddies..
Lingusami as usual tries to potray almost the same story he told in Run, Sandaokozhi with a car and a different cast. But he fails big time, in fitting a story into it, though the screenplay is somewhat paced. Paiyaa has its moments and that's it. Many times, you cant stop getting stumbled upon many of his own movies in the way it told starting from costume, name, art and what else story. That makes Paiyaa the same run of the mill. Lingusami thinks he can give a movie with a decent cinematography, good songs and few intense scenes and that's what people need, sorry sir its is not. What it basically lacks is a script and a strong screenplay to back it up. Paiyaa fails in both the cases.
Verdict: Paiyaa - Starts with a refreshment, wades in the middle slowly and ends with a sigh.
Saturday, February 27, 2010
With many expectations like Gautam Menon and AR Rehman's new combination and the knack for romance which Gautam has and delivers in each of his flicks, I went to see this. Result: Certainly i am way too satisified with the movie. It exceeded all my expectations and apparently it lived upto its hype.
Story: Karthick(simbhu) falls on love with Jessy (Trisha) when he sees her for the first time. ( A typical GM's love start)Jessy is from an orthodox christian family while Karthick hails from a hindu family who aspires to be a director. As a golden rule in Tamil cinema's love, religion, father and every possible thing which comes to your mind put their love in disguise. And the story unfolds showing whether they have joined hands or left apart with an interesting climax.
Performances: Simbhu has done a very nice underplay here and he shines. I always believe there is no such thing called a "good actor". Its all the director who pulls the talent out of an actor. And Gautam shows he is an expert in this in the form of Karthick's role.Trisha though looks pretty aged, blows us with her performance. She portrays a girl's emotions and the challenges which she undergoes with all finesse. Ganesh who comes as a friend of Karthick gets more applause than anyone when he utters those quirky remarks.
Music: The world knows why Rahman is a genius. But at certain times, the music which has the upper hand sometimes suppresses the beautiful, poetic lyrics by Thamarai. Other than that Rahman tries fusing traditional Indian vocals with an awesome guitar play in Aaromale which is nothing short of a classic. Omana Penne, Manippaya gets better while watching on screen. Hosana is this year's Adiye Kolludhe! Its refreshingly new.
Cinematography and Art: This guy simply blows away. Gautam shows his life he wanted to put on the screen through the lens' of this guy. A cinematographer or art director shouldn't be praised for his individual elements and tricks he employs in the movie. What matters is, even if its simple, how it gels with the flick really matters to me. in that sense Manoj and Raajevan win hands down. The choice of colors they used makes it simple but elegant in the screen.
Editing: Antony should have been generously cut some 15 minutes of scenes in the second half as it spoils the flow of the flick.
On the down side, songs were not in sync with the movie. Only when Aaromale and Mannipaya you feel a certain connectivity with the movie. Other songs though they feel good to hear, however doesn't go with the story. Being a little dragged during second half and songs every 10-15 minutes certainly spoils the movie's flow to an extent.
But of late I didn't witness any honest story straight from the director like this. How frequent we come across a dialogue or a BGM playing in the movie make us getting goosebumps? The climax scene while trisha shaking hands with Simbhu and the Mannipaya playing in the background did bring me goosebumps. And this is why i like movies. When you feel for the character or you think yourself as a certain character, the director wins. And so Gautam Menon. Period.
Forget the minor flaws(which can be corrected by crisp editing) and whining about it.Watch a great, simple and honest love story with hurdles which they overcome being the ones you watched umpteen times in other movies but with a soul to it in VTV and with a different treatment.
Verdict: VTV has a soul!
Sunday, February 7, 2010
ஹ்ம்ம் தமிழ் படம் mysorela ரிலீஸ் ஆகவே இல்ல . உடனே காவேரி பிரச்சனயானு கேட்கதேங்கே.என்னமோ பெரிய ஹீரோ படம் மட்டும் தன ரிலீஸ் ஆகுது. சரி ஊருக்கு போயிட்டு பாத்தேன். சும்மா சொல்ல கூடாது. Shiva பின்னி பெடல் எடுத்துட்டாரு. பச்சை பிங்க் வெள்ளை தமிழன்... ஹ்ம்ம் ஒன்னும் சொல்றதுக்கு இல்ல. விஜய் மேல என்ன கடுப்போ தெரியல. வச்சு கிழிச்சுட்டாங்க. கதை எல்லாம் நான் டைப் பண்ண டைம் இல்ல. மொக்கை கதைதான் ஆனா சொன்ன விதம் புதுசு. Shiva Chennai 28la " அண்ணி குழந்தை அதுவாத்தான் அழுகுது அண்ணின்னு சொல்ற சீன் அவரு எப்படி பட்ட நடிகர்னு காட்டிச்சு. அதே மாதிரி சரோஜவுல " அண்டா வாயன்னு" நம்ம பிரேம்ஜி சொல்லுவாரு. இந்த படத்துல இன்னும் ஒரு படி ஏறி நம்ம காப்டின விட எல்லாம் பயங்கரமா யோசிச்சிருகாறு.
நம்ம செல்வராகவன் இப்படி படம் எடுத்திருக்கலாம். அத விட்டுட்டு சோழர் பண்டியர்னு history கிளாஸ் எடுக்க ட்ரை பண்ணி மொக்கை வாங்கிருகாறு. இத படிச்சிட்டு Vettaikaran படம் பாக்கிறவனுக்கு ஆயிரத்தில் ஒருவன் புடிக்காதுன்னு
சொல்ற Hitchcock , Kubrick எல்லாம் first என்ன கதை சொல்றோம்ரத விட்டுட்டு எப்படி கதை சொல்றங்காத தமிழ் படம் பார்த்தே தெரிஞ்சிக்கலாம். Selva மாதி English படம் பாக்க தேவை இல்ல.
Saturday, January 30, 2010
தமிழ் படம் mysore la ரிலீஸ் ஆகாத காரணத்துனால Goa ku போனேன். கோவால படம் ரிலீஸ் அச்சானு கேட்டு மொக்கை போடதேங்க. Mysore la தான் goa ku போனேன். இப்படிதான் வெங்கட் பிரபுவும் படு மொக்கையா போடுறாரு படத்துல.
ஆனா முதல் சீன்லையே சரோஜா மாதி ஒரு எதிர்பாராத opening கொடுத்து அசத்துறாரு. படம் நம்ம பழைய trouser, captain , sarath kumar படங்க்ள போல ஸ்டார்ட் ஆகுது. Premji தெய்வக்குழந்தையாம். அவரு எப்படி பிறந்தாருனு ஒரு flashback வேற. Jai இங்கிலிஷ் செம. example - Two coffee please - One no Sugar, One Yes Sugar. :) அடுத்து நம்ம vaibhav. இவரு எல்லா பொண்ணுங்களையும் correct பண்ணிறாரு. எப்படினு ஜெயும் பிரேம்ஜியும் தெரியாம முழிக்கிறாங்க. இதுக்கு நடுவுல நம்ம பண்ணையார் Vijayakumar இந்த மூணு பேறும் காப்பு கட்டுனதுக்கு அப்பறம் theniku படம் பாக்க போன்னதள காசு வெட்டி போட்டு மூன்று குடும்பமும் பெசகுடாதுன்னு சொம்ப தூக்கிட்டு தீர்ப்பு சொல்றாரு. இதனால tensionana மூணு பேறும் கோவில்ல அம்மன் சிலைய திருடிட்டு மதுரைக்கு போறாங்க jai frienda பாக்க. Maduraiiki போனா jai friendku ஒரு foreign பொண்ணோட கல்யாணம் ஆகுது . எப்டின்னு கேட்டா கோவாவுல வேலை பாக்கும் போது இந்த foreign பொண்ணு அவர உண்மையா காதலிச்சதால கல்யாணம் பண்ணிட்டேன்னு சொல்றாரு . இதுல நம்ம heroesku என்ன கடுப்புன்னா நம்ம jai friend ரொம்ப அழகானவர் . ( காதல் படதுலவர அழகான ரெண்டு பேர் படத்துல நடிக சான்ஸ் கேட்டு வரமாதிரி ) உடனே கட்டுனா Foreign பொண்ணத்தான் கட்டுவேன் , நம்ம அழகுக்கு என்ன குறைச்சல் நு Premji &co goa கேளம்புரங்க .
இதுவரைக்கும் படம் ஜெட் speedla போகுது . எல்லா பழைய பட லாஜிக்கையும் தாறுமாறா போட்டு தாக்குறாங்க.
Goa ku போண நம்ம பசங்க என்ன எல்லாம் பண்றங்க்ரத screenla பாருங்க . Premji படம் fulla கண்கள் இரண்டால்னு தலைய ஆடிட்டு இர்ருக்காறு. Premji English கத்துகிறதும் , அவரோட girl friend தமிழ் கத்துகிறதும் ultimate.comedy(Autograph) Cheran இத பாத்தா ஏன்டா மாநு அழுக அரம்பிசிருவாறு . இதுக்கு எல்லாம் நடுவுல Jai love story, Vaibhav மொக்கைனு படம் எல்லா பக்கமும் போகுது . Aravind six packla வறாரு . Sampath ஒரு மொக்கை rolela ஒரு மொக்க accentla பேசுறாரு . Gay couplesa பத்தி வர comedy சுத்த போர் . கொஞ்சம் seriousa சொல்லி இர்ருகனும். Interval முடிஞ்சதுக்கு அப்பறமும் மொக்கை போட்டு கொல்றாங்க . பல இடங்கள சிரிகவச்சலும் படம் எங்க போதுன்னு தெரியாம முழிச்சிட்டு இருந்தேன் . இதுக்கு நடுவல 15 minku ஒரு பாட்டு வேற . கடைசி அர மணி நேரத்துல ஸ்னேஹா வந்து comedy பண்றாங்க . Vaibhav - Sneha scenes ரசிக்கவைக்குது . கடைசி அரமணி நேரத்துல கதை சொல்ல try பண்ணி மொக்கை வாங்கி இர்ருக்காறு Venkat Prabhu. ரெண்டு பாட்டு நல்லா இர்ருக்கு . Re recording சுமார்தான் . Cinematograhy ஓகே.
Venkat Prabhu பழைய படங்க்ள கலைகிறத கதையோட நகத்தி கைதட்டல் வாங்குறார் . மத்தபடி Chennai 28, Saroja வ கம்பர் பண்ண கதை சொன்ன விதம் படு மொக்கை ( கதைன்னு ஒன்னு இர்ருகுனு நீங்க நம்புனா , நான் நம்பல).
+ ப்றேம்ஜீன் கண்கள் இரண்டால் , தெய்வ குழந்தை ப்லஷ்பக் , புலி உறுமுது fight ( ஆமா விஜயையும் விடல ), வெங்கட் பிரபு வோட மாறாத natural sense of humour
- everything else
ரொம்ப யோசிக்கமா 2.5 மணி நேரம் சிரிக்க போலாம் . Venkat Prabhuvum ரெண்டு ஹிட் கொடுப்பேன் , முனைவது கண்டிப்பா மொக்கை தான் டைரக்டர் லிஸ்ட்ல சேருகிறார் .:)